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The carbon process
(pigment paper) ‘simple or double transfert’, was invented
to have the best reproduction quality and stability even better that
the silver emulsions (still the silver was mixed to albumen and not
to gelatine, with several problems).
The handling is complex and delicate
and consists in preparing a temporary support paper, poured with warm
gelatine coloured with lampblack (that’s why ‘carbon’)
or insoluble dye, said ‘tissue paper’.
After drying, it is sensitized with a chrome salt and exposed to U.V.
light in firm contact under a proper negative. The paper is dampened
with water and the jelly image laying upon it, not visible jet, is
transferred to a final mounting paper (simple transfer) on which a
‘strip’ is carried out in warm water to eliminate the
unhardened stuff (dye, jelly and salt) still water-soluble.
The ‘double transfer’ were performed to rearrange right-left
view starting with old thick glass negatives.
The carbon process permits a halftone
reproducibility really rich and is one of the two legs on which the
héliogravure is built. The final result is absolutely unalterable.
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