heliogravures au grain - gomma bicromata - stampa al carbone - kalitipia - cianografia
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heliogravure au grain  
 
  photogravure
   
  St. Anastasia cathedral - Verona
Reproduction from a vintage
Albumen photograph of 1870
Heliogravure au grain –
16 x 20,5 cm. - 1990
 
       
 
   
héliogravure  
   
     Either you have to reproduce a drawing, a painting, a picture, or a place; a person or an happening, all these will first be photographed. From the negative it will be obtained a suitable positive film (same size of the final print) through which the image is transferred onto the metallic plate. It happens using a gelatinized paper (tissue paper).
Through the bitumen photogravure, sketches or drawings can be reproduced as good help or complement to further manual actions on the plate. Even re-graining and re-etching are easy and satisfactory because the new graining overlap an identical texture.
     Originals produced with pictorial techniques – untranslatable through the traditional etching tools - can be reproduced very accurately. It means watercolour, oil, charcoal, …, or lithographs, silk-screens, etchings, of which the original matrix has been lost, destroied or simply exausted.
The total run from a gravure on copper is roughly 120 copies, that can be doubled with a previous ‘steeling’ of the printing surface.
 
 
 
            
   Photogravure 

 Photogravure 

 Dichromated gum 

 Carbon process 

 Kallitype

 Cyanotype 

 Silver print 

 Toning 

 BLACKHOLES
 heliogravure 2006

 WITH-DRAWN
 heliogravure 2001

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