heliogravures au grain - gomma bicromata - stampa al carbone - kalitipia - cianografia
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heliogravure au grain  
 
  photogravure
   
  From MINIPRINT
Bitumen heliogravure
5.6 x 10.5 cm. - 2008
 
       
 
   
héliogravure  
   
     The matrix of photogravure (héliogravure au grain, photoaquatint) – the most sophisticated among the photomechanical processes – is made of a copper plate prepared, grained and etched in the same way as in the technique of aquatint.
The only difference is that the transfer of the image onto the plate occurs photographically instead that manually using proper tools as needles, burnisher, burin, roulette, … .
To obtain the printing matrix we will start from any negative film or modern digital file and produce a positive film fit to the process regard tonal range, density and size of the final print.
Through this film we will impress a gelatinized and sensitized ‘carbon tissue’ that - dampened and placed face down onto the surface of the polished plate - transfers a jelly image on it. This operation may be done before or after the ‘graining’ of the metallic surface, that means covering the plate with bitumen fine dust in a dust-box and melting it in a oven. The jelly, with it different thickness in lights and shadows, and the bitumen even grain, are the ‘resist’ for the acid.
     The etching (with ferric chloride solutions) to obtain the very rich intaglio, is driven visually, looking at the biting of a known densities’ step wedge, side to the plate. You need at least 4 baths at different concentration of etching salt, to win the different thickness of the gelatine layer.
As well as having a great but non-appreciated expressive autonomy, the photogravure may be useful for mixed technique works.
     The job is laborious and few words are non sufficient to give the delicacy of the operations, but the result is of great visual impact.
Héliogravure is based on both dimension and depth of the sign it produces and is still one of the finest means of photoreproduction we had as heritage from the end of XIX century experimentations.
The matrix – on which it’s possible to use the classical tools of the traditional engraving, is inked and printed by hand on suitable presses.
 
 
 
            
   Photogravure 

 Photogravure 

 Dichromated gum 

 Carbon process 

 Kallitype

 Cyanotype 

 Silver print 

 Toning 

 BLACKHOLES
 heliogravure 2006

 WITH-DRAWN
 heliogravure 2001

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